"I never thought she was weak," Fleda answered. She looked vaguely round the room with a new purpose: she had lost sight of her umbrella. "It was near it, I was told, an hour ago—the fury of the flames had got such a start. I was there myself at six, the very first I heard of it. They were fighting it then, but you couldn't quite say they had got it down."!

"I remembered how you had tied my hands about saying a word to Owen." "So as not to aggravate Mona, naturally. We've had a narrow course to steer, but thank God we're at last in the open!"

"A good deal to myself, but a little, to-day, as you see, to Mr. Gereth,—" and the girl looked at Owen to draw him into their sociability. For Mrs. Brigstock he had immediately sat down; but the movement had not corrected the sombre stiffness taking possession of him at the sight of her. Before he found a response to the appeal addressed to him Fleda turned again to her other visitor. "Is there any purpose for which you would like my father to call on you?" The handle of the door turned, and Fleda had only time to jerk at him: "Your mother!" "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.